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Download All Blues Soloing for Jazz Guitar: Scales, Licks, Concepts & Choruses fb2

by Jim Ferguson

  • ISBN: 0786642858
  • Category: Photo and Art
  • Author: Jim Ferguson
  • Subcategory: Music
  • Other formats: mobi mbr docx rtf
  • Language: English
  • Publisher: Guitar Master Class Publications (January 5, 1999)
  • Pages: 96 pages
  • FB2 size: 1650 kb
  • EPUB size: 1439 kb
  • Rating: 4.9
  • Votes: 393
Download All Blues Soloing for Jazz Guitar: Scales, Licks, Concepts & Choruses fb2

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The Everything® Rock & Blues Guitar Book with CD provides you with everything you need to play . .The most complete guide to jazz/blues soloing ever written! This comprehensive book details.All Blues Soloing for Jazz Guitar. 86 MB·2,224 Downloads·New! The most complete guide to jazz/blues soloing ever written! This comprehensive book details. Beginning Jazz Guitar: The Complete Jazz Guitar Method: te-mastering Chord. 68 MB·25,206 Downloads·New! learning to play jazz right away. Spanning from the major scale and basic triad theory all the way.

Other readers will always be interested in your opinion of the books you've read. Whether you've loved the book or not, if you give your honest and detailed thoughts then people will find new books that are right for them

Other readers will always be interested in your opinion of the books you've read. Whether you've loved the book or not, if you give your honest and detailed thoughts then people will find new books that are right for them. 1. The Implications Of The Representation Of Control Parameters On The Design Process.

Jim Ferguson's Books, Compositions, and CDs. All Blues for Jazz Guitar . All Blues for Jazz Guitar: Comping Styles, Chords & Grooves. The most complete guide to jazz/blues soloing ever written, All Blues Soloing details the sounds, elements, and approaches that make the blues such an integral part of the jazz vocabulary. The only book to exclusively focus on the blues scale as it applies to jazz guitar, All Blues Scale for Jazz Guitar-Solos, Grooves & Patterns features a wealth of information, including many scale patterns, six complete solos with dozens of licks, and diverse accompanying grooves that use a wide array of chords, tempos, and rhythmic feels.

The most complete guide to jazz/blues soloing ever written! This comprehensive book details the sounds, elements, and approaches that make the blues such an integral part of the jazz vocabulary. Moving from blues progressions to fingerboard organization to phrasing, essential blues scales, riffs, lick development, and an array of advanced concepts and devices, including The most complete guide to jazz/blues soloing ever written! This comprehensive book details the sounds, elements, and approaches that make the blues such an integral part of the jazz vocabulary.

Author: Jim Ferguson. All Blues For Jazz Guitar - Comping Styles,Chords & Grooves . Rock Guitar Scales: Rock, Blues, Metal, Jazz. Report "All blues soloing for jazz guitar : scales, licks, concepts & choruses".

The most complete guide to jazz/blues soloing ever written! This comprehensive book details the . Moving from blues progressions to fingerboard organization to phrasing, essential blues scales, riffs, lick development, and an array of advanced concepts and devices, including substitute scales & extended super arpeggios are covered. In 1997, Jim founded his own music publishing company, Guitar Master Class, whose first book, All Blues for Jazz Guitar - Comping Styles, Chords & Grooves, has been received virtually with universal acclaim.

Category: Guitar Method Books & Transcriptions, All Blues Soloing For Jazz Guitar.

In 1997, Jim founded his own music publishing company, Guitar Master Class, whose first book, All Blues for Jazz Guitar - Comping Styles, Chords & Grooves, has been received virtually with universal acclaim. He resides in Santa Cruz, California.

The most complete guide to jazz/blues soloing ever written! This comprehensive book details the sounds, elements, and approaches that make the blues such an integral part of the jazz vocabulary. Moving from blues progressions to fingerboard organization to phrasing, essential blues scales, riffs, lick development, and an array of advanced concepts and devices, including substitute scales & extended super arpeggios are covered. Throughout this process 38 solos, over 100 music examples, and hundreds of licks are featured. Written in notation and tablature.
Reviews about All Blues Soloing for Jazz Guitar: Scales, Licks, Concepts & Choruses (7):
ndup
Excellent. No baby progs or dumbed down stuff. THis is not a book for beginners and unless you have a very strong theory understanding your head will spin cos he blabs on a bit about analysis that more advanced practitioners realise does not really matter or is a connotation within chord synonyms.
When you know when a diminished chord should be used in passing, when you know what a tri tone substitution is and when you are clear about chord synonyms, get this book.
Lahorns Gods
This should be the first book you buy when you want to learn the jazz version of the blues. A logical and systematic approach, with a great section on learning to play through the changes, it will take you far into the realm of jazz blues and do it very quickly. Teaches the basics very well, and then proceeds to advanced concepts, clearly explaining them. Uses Standard Notation, Tab, and Grid diagrams. The CD is well recorded, the examples are great.
Mitynarit
As I have mentioned in my prior reviews, you often need to be at a certain level of playing for any given book, teacher or lesson to really take hold. I've become reasonably proficient at knowing most of my scales, including the harmonic and melodic minors, major and dominant bebop as well as arpeggios. What I have struggled with is aspects of phrasing. My instructor points out that while I'm still playing scales, I am able to make them sound pleasant, move through key centers and play through chord chart. This book, while focusing on the blues structure is an excellent tool for taking simple scale patterns and building reasonably hip lead passages with them. The author gives the scales of interest, backing tracks and a variety of examples of major scales, dorian, mixolydian and chromatic examples. This is proving to be a very helpful book for me (I've had it for a while but it hasn't caught fire until recently). Also is a set of licks that sound very good -- and in short one or two bar examples, which make them easily digestible and like I said, they sound hip enough that you do want to learn them. The book also starts out with some basic examples that sound great and it progresses from there -- but never seems to get too bogged down with complex theory or passages that are too difficult to play or understand. So I would suspect this could be a good book for players of many levels. I'm assuming that players with a basic undertanding of chords, scales and a reasonable level of playing dexterity would be able to make good use of this book.
Anararius
Very good information on blues chord changes and how they get more complex into full blown bebop changes. The solos are sweet. The only issue I had was there were too many awkward page turns, so 4 stars.
Undeyn
Very good product
Zeks Horde
If you are learning this style (blues with a swing and more than 3 chords), this book is great. This is not for Eric Clapton wannabes - think Grant Green and Kenny Burrell. This book is a good companion to Ferguson's Jazz Comping book.
Tane
Good Material for the guitarist that doesn't have hours to spend every night playing.
Don't let the title fool you -- this book is an excellent learning guide for a wide range of guitarsits, not just jazz players. Blues, rock and even country players would beenfit from this book. Ferguson's narratives are short, clear and to the point. The solo pieces tie nicely with the narratives. Scales, modes, etc. are touched upon in an easily understood and useful manner.

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