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by Mai Palmberg,Annemette Kirkegaard

  • ISBN: 9171064966
  • Category: Photo and Art
  • Author: Mai Palmberg,Annemette Kirkegaard
  • Subcategory: Music
  • Other formats: mbr mobi azw lrf
  • Language: English
  • Publisher: Nordic Africa Institute (February 2002)
  • Pages: 196 pages
  • FB2 size: 1832 kb
  • EPUB size: 1865 kb
  • Rating: 4.8
  • Votes: 152
Download Playing with Identities in Contemporary Music in Africa fb2

South African Music Studies. View it in the Music Periodicals Database.

South African Music Studies. Drag and drop files here.

The musics of Africa play a particularly important role in expressing and forming identities

The musics of Africa play a particularly important role in expressing and forming identities. This book brings together African and Nordic scholars from both musicology and other disciplines in an attempt to analyse various aspects of the complex playing with volatile identities in music in Africa today. Taken together the papers put new light on the assumed or real dichot The musics of Africa play a particularly important role in expressing and forming identities. This book brings together African and Nordic scholars from both musicology and other disciplines in an attempt to analyse various.

Denis-Constant Martin, Mai Palmberg and Annemette Kirkegaard

Extending a study published in this journal, college students in Africa, Europe, and an area on the . We show in particular that, with our choices, beyond the basic Slavnov-Taylor identities guaranteeing the independence of the physical results of the particular gauge fixing, one also has the standard QED Ward identities which play a well known crucial.

Lists Forum Books Performance Data new. Ephemera Libretto Instruments. New List New Article New Book New Video New Post New Score new. Home Journals The World of Music 2005 Vol. 47 No. 3. Mai Palmberg and Annemette Kirkegaard, ed. Playing with Identities in Contemporary Music in Africa. Belo, O. (2005) Mai Palmberg and Annemette Kirkegaard, e. . In: The World of Music, Vol. 47, No. 3, pp. 169-172.

Playing with Identities in Contemporary Music in Africa by Mai Palmberg; Annemette Kirkegaard.

By Mai Palmberg, Annemette Kirkegaard. The musics of Africa play a particularly important role in expressing and forming identities

By Mai Palmberg, Annemette Kirkegaard. By Mai Palmberg, Annemette Kirkegaard. The musics of Africa play a particularly important role in expressing and forming identities. Taken together the papers put new light on the assumed or real dichotomies between countryside and city, collective and individual, tradition and modernity, authentic and alien.

Mai Palmberg, Annemette Kirkegaard, eds. Playing with Identities in. Two theorists came to mind when I read the different chapters in the book: Stuart Hall and George Lipsitz. Hall's recommendation that we should think of identity as a "'production' which is never complete, always in process, and always constituted within, and outside, representation" is relevant to the discussion of this book because the authors examine the different ways in which. A reader looking for a history of contemporary African music may be disappointed, though most of the authors do a fine job of providing some historical information.

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History and criticism, Music, Nationalism in music.

The musics of Africa play a particularly important role in expressing and forming identities. The book includes a keynote speech by Christopher Waterman (UCLA), and an introduction by Annemette Kirkegaard, Copenhagen University. Southern, West and East Africa are represented in the studies, which cover a great variety of musics.

Playing with Identities in Contemporary Music in Africa by Mai Palmberg, Annemette Kirkegaard (pp. 169-171).

The musics of Africa play a particularly important role in expressing and forming identities. This book brings together African and Nordic scholars from both musicology and other disciplines in an attempt to analyse various aspects of the complex playing with volatile identities in music in Africa today. Taken together the papers put new light on the assumed or real dichotomies between countryside and city, collective and individual, tradition and modernity, authentic and alien. The papers are based on contributions for a conference organized by the research project “Cultural Images in and of Africa” of the Nordic Africa Institute together with the Sibelius Museum/Department of Musicology and the Centre for Continuing Education at Åbo Akademi University in Åbo (Turku), Finland in October 2000. The book includes a keynote speech by Christopher Waterman (UCLA), and an introduction by Annemette Kirkegaard, Copenhagen University. Southern, West and East Africa are represented in the studies, which cover a great variety of musics.

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