Download Meaning Liam Gillick (The MIT Press) fb2
by Monika Szewczyk,Stefan Kalmár,Dominic Molon,Beatrix Ruf,Nicolaus Schafhausen,Peio Aguirre,Chantal Mouffe,Maurizio Lazzarato,Sven Lütticken,Nikolaus Hirsch,Johanna Burton,John Kelsey,Barbara Steiner,Benoît Maire,Marcus Verhagen,Philippe Parreno,Angela Bulloch,Gabriel Kuri,Ryan Gander,Lawrence Weiner,Daniel Buren
- ISBN: 026251351X
- Category: Photo and Art
- Author: Monika Szewczyk,Stefan Kalmár,Dominic Molon,Beatrix Ruf,Nicolaus Schafhausen,Peio Aguirre,Chantal Mouffe,Maurizio Lazzarato,Sven Lütticken,Nikolaus Hirsch,Johanna Burton,John Kelsey,Barbara Steiner,Benoît Maire,Marcus Verhagen,Philippe Parreno,Angela Bulloch,Gabriel Kuri,Ryan Gander,Lawrence Weiner,Daniel Buren
- Subcategory: Individual Artists
- Other formats: rtf doc docx mobi
- Language: English
- Publisher: The MIT Press; 1 edition (July 10, 2009)
- Pages: 218 pages
- FB2 size: 1216 kb
- EPUB size: 1142 kb
- Rating: 4.2
- Votes: 962
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Liam Gillick emerged as part of the generation of Young British Artists who energized the . Meaning Liam Gillick.
Liam Gillick emerged as part of the generation of Young British Artists who energized the British art scene in the 1980s and 1990s. MIT Press began publishing journals in 1970 with the first volumes of Linguistic Inquiry and the Journal of Interdisciplinary History. Today we publish over 30 titles in the arts and humanities, social sciences, and science and technology. Foreword by Stefan Kalmár, Dominic Molon, Beatrix Ruf and Nicolaus Schafhausen.
Stefan Kalmar, Dominic Molon, Beatrix Ruf. The first critical reader on one of today's most pivotal (and perplexing) contemporary artists. Liam Gillick emerged as part of the generation of "Young British Artists" who energized the British art scene in the 1980s and 1990s. He is now one of the most influential (and perplexing) artists in all of contemporary art. Gillick's discursive mode of art practice-often associated with "relational tes object production, embraces the exhibition as medium, and explores the social role and function of art.
Liam Gillick emerged as part of the generation of ''Young British Artists'' who energised the . Meaning Liam Gillick has been added to your Cart.
Liam Gillick emerged as part of the generation of ''Young British Artists'' who energised the British art scene in the 1980s and 1990s.
with 44 b/w images, MIT Press, tts, 2009. ISBN 978-0-262-51351-7.
Kunsthalle Zürich; Kunstverein München; Museum of Contemporary Art, Chicago; Witte de With Center for Contemporary Art, Rotterdam (ed., preface by Stefan Kalmár, Dominic Molon, Beatrix Ruf, Nicolaus Schafhausen, introduction by Monika Szewczyk, texts by Peio Aguirre, Sven Lütticken, Marcus Verhagen, John Kelsey, Barbara Steiner, Chantal Mouffe, Johanna Burton, Maria Lind, Nikolaus Hirsch, Maurizio Lazzarato, Benoît Maire (Engl. 186 pp. with 44 b/w images, MIT Press, tts, 2009. CHF 34, Members CHF 27.
Meaning Liam Gillick book
Meaning Liam Gillick book. Gillick's discursive mode of art practice-often The first critical reader on one of today's most pivotal (and perplexing) contemporary artists.
questions Gillick’s practice in the Marcus Verhagen context of feminist critique.
energized the British art scene in the 1980s and 1990s. questions Gillick’s practice in the Marcus Verhagen context of feminist critique.
Meaning Liam Gillick The first critical reader on the artist’s work with essays by Peio Aguirre, Johanna Burton, Nikolaus Hirsch, John Kelsey, Maurizio Lazzarato, Maria Lind, Sven Lütticken, Benoît Maire, Chantal Mouffe, Barbara Steiner and Marcus Verhagen. Published with Kunsthalle Zürich, Kunstverein München and Chicago MOCA. Co-published and distributed by The MIT Press. Find us at these fall book fairs
Contributors: Peio Aguirre, Johanna Burton, Nikolaus Hirsch, John Kelsey, Maurizio Lazzarato, Maria Lind, Sven Lütticken, Benoît Maire, Chantal Mouffe, Barbara Steiner, Marcus Verhagen.
Monika Szewczyk (e. Meaning Liam Gillick (MIT Press, 2009).
Together with Damien Hirst, Sarah Lucas, Angela Bulloch and Henry Bond, he was "the earliest of the YBAs"-the Young British Artists who dominated British art during the 1990s. On: Henry Bond, Angela Bulloch, Liam Gillick, Graham Gussin, Markus Hansen (London and Plymouth: Interim Art/Plymouth Arts Centre, 1992); also see Interim Art timeline Archived 11 October 2007 at the Wayback Machine. Emma Dexter, "London 1990-2001. Monika Szewczyk (e.
documenta 14. Curator · 31 December 2014 to 30 September 2017. Reva and David Logan Center for the Arts. Visual Arts Program Curator · June 2012 to 31 December 2014 · Chicago, Illinois. Witte de With Center for Contemporary Art.
The first critical reader on one of today's most pivotal (and perplexing) contemporary artists.
Liam Gillick emerged as part of the generation of “Young British Artists” who energized the British art scene in the 1980s and 1990s. He is now one of the most influential (and perplexing) artists in all of contemporary art. Gillick's discursive mode of art practice―often associated with “relational aesthetics”―complicates object production, embraces the exhibition as medium, and explores the social role and function of art. His body of work includes variations on “discussion platforms” (architectural structures that question or facilitate social interaction), text sculptures, and published texts that reflect on the increasing gap between utopian idealism and the real world. Artist, writer, curator, and provocateur, Gillick explores how an artistic practice can be conducted and represented, while at the same time questioning curatorial practice and the conventions of applied design. This reader coincides with a year-long, multi-venue, mid-career retrospective that serves both as a continuous investigation into Gillick's practice and an in-depth study of his work to date. The book offers a range of critical perspectives on Gillick's work. Among them: political scientist Chantall Mouffe develops her notion of radical democracy and antagonism; sociologist Maurizio Lazzarato (whose theorization of immaterial labor influenced Gillick) comments on the current economic crisis; philosopher and artist Benoît Maire links Gillick to continental philosophy; and Johanna Burton questions Gillick's practice in the context of feminist critique.ContributorsPeio Aguirre, Julieta Aranda, Johanna Burton, Nikolaus Hirsch, John Kelsey, Maurizio Lazzarato, Maria Lind, Sven Lütticken, Benoît Maire, Chantall Mouffe, Barbara Steiner, Marcus Verhagen