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Beckmann & America.

Beckmann & America. The catalogue accompanying the Max Beckmann exhibition at the Städel Museum Max Beckmann (1884–1950) moved to the United. Jutta Schütt, Städel Museum Frankfurt am Main, text(s) by Ursula Harter, Lynette Roth, Stefana Sabin, Jutta Schütt, Christiane Zeiller, David Anfam, Karoline Feulner, graphic design by Andreas Platzgummer, foreword by Max Hollein.

Max Beckmann (1884–1950) moved to the United States in the late summer of 1947, and spent the last three . Beckmann & america: art to hear series. Published by Hatje Cantz.

Max Beckmann (1884–1950) moved to the United States in the late summer of 1947, and spent the last three years o. .Catalog SPRING 2012 Art Monographs, Exhibition Catalog and Schedule. Distributor Availability: Out of print. Text by David Anfam, Karoline Feulner, Ursula Harter, Lynette Roth, Stefana Sabin, Jutta Schütt, Christiane Zeiller. Max Beckmann (1884–1950) moved to the United States in the late summer of 1947, and spent the last three years of his life there.

Beckmann & America book. Jutta Schütt (Contributor), David Anfam (Text). Karoline Feulner (Text). Max Beckmann (1884-1950) moved to the United States in the late summer.

Text by David Anfam, Karoline Feulner, Ursula Harter, Lynette Roth, Stefana Sabin, Jutta Schütt, Christiane Zeiller. Max Beckmann (1884–1950) moved to the United States in the late summer of 1947, and spent the last three years of his life there

Text by David Anfam, Karoline Feulner, Ursula Harter, Lynette Roth, Stefana Sabin, Jutta Schütt, Christiane Zeiller. Impressively, Beckmann made the utmost use of this radical relocation and brought about significant transformations in his painting-producing, among other works, his triptych masterpiece, The Argonauts -while also teaching in St. Louis, Missouri, and at the Brooklyn Museum, where he also mounted a retrospective of prints and drawings.

Max Beckmann (1884-1950) moved to the United States in the late summer of 1947, and would spend the last three years of his life there

Max Beckmann (1884-1950) moved to the United States in the late summer of 1947, and would spend the last three years of his life there. Impressively, Beckmann was able to make the utmost use of this radical (and late) relocation and was able to bring about significant transformations in his painting-producing among other works his triptych masterpiece "The Argonauts"-while also teaching at the art schools of St Louis, Missouri, and at the Brooklyn Museum in New York, where he also found time. To mount a retrospective of prints and drawings.

Max Beckmann (1884-1950) Entkleidetes Café signed 'Beckmann' (lower right); inscribed and dated by Quappi Beckmann '"das entkleidete café" 12. Mai 1944' (on the reverse) pen and India ink on paper. Entkleidetes Café,1884-1950. 2. x 3. cm. Max Beckmann (1884-1950) Entkleidetes Café signed 'Beckmann' (lower right); inscribed and dated by Quappi Beckmann '"das entkleidete café" 12.

One of the greatest German painters of the 20th century, Max Beckmann (1884 - 1950) came to America in the mid-1940s and settled in St. Louis. There he met the retailer and collector Morton D. May. By the time May died, in 1983, he had amassed a comprehensive collection of Beckmann's oeuvre, most of which he bequeathed to the Saint Louis Art Museum (SLAM). The stunning breadth and power of Beckmann's work is explored in this volume, which thoroughly examines all thirty-nine paintings in SLAM's collection.

Devoted to figuration, Beckmann repeatedly used the theater, circus, history, mythology, and religion as allegories for human tragedy. Among his many self-portraits is 1938's Self-Portrait With Horn, painted after he fled Nazi Germany

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