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by Jochen Wierich

  • ISBN: 0271050322
  • Category: Photo and Art
  • Author: Jochen Wierich
  • Subcategory: History & Criticism
  • Other formats: doc rtf mobi lrf
  • Language: English
  • Publisher: Penn State University Press; 1 edition (January 26, 2012)
  • Pages: 240 pages
  • FB2 size: 1911 kb
  • EPUB size: 1876 kb
  • Rating: 4.5
  • Votes: 269
Download Grand Themes: Emanuel Leutze, Washington Crossing the Delaware, and American History Painting fb2

Washington Crossing the Delaware is an 1851 oil-on-canvas painting by the German-American artist Emanuel Leutze.

Washington Crossing the Delaware is an 1851 oil-on-canvas painting by the German-American artist Emanuel Leutze. It commemorates General George Washington during his famous crossing of the Delaware River with the Continental Army on the night of December 25–26, 1776, during the American Revolutionary War. That action was the first move in a surprise attack against the German Hessian allied mercenary forces at Trenton, New Jersey, in the Battle of Trenton on the morning of December 26.

Emanuel Leutze was arguably the most prominent American history . Emanuel Leutze to Montgomery Meigs, 1854

Emanuel Leutze was arguably the most prominent American history painter of his time, and Jochen Wierich argues that Leutze’s work became the locus of contemporary debates surrounding the nature of history painting and its future. Emanuel Leutze to Montgomery Meigs, 1854. Especially on a metaphorical level, Washington Crossing the Delaware was a painting that could easily win the admiration of the American public. It could, in a sense, resuscitate a struggling genre.

Grand Themes: Emanuel Leutze, Washington Crossing the Delaware, and American History Painting. Despite Leutze's aspirations, the exhibition became an opportunity for critics of history painting to stake their positions.

Emanuel Gottlieb Leutze (May 24, 1816 – July 18, 1868) was a German American history painter best known for his 1851 painting Washington Crossing the Delaware. He is associated with the Düsseldorf school of painting. Leutze was born in Schwäbisch Gmünd, Württemberg, Germany, and was brought to the United States as a child. His parents settled first in Fredericksburg, Virginia, and then at Philadelphia

Washington Crossing the Delaware 1851. Emanuel Leutze German American In 1853, M. Knoedler published an engraving of it. Many studies for the painting exist, as do copies by other artists. On view at The Met Fifth Avenue in Gallery 760.

Washington Crossing the Delaware 1851. Emanuel Leutze German American. Leutze's depiction of Washington's attack on the Hessians at Trenton on December 25, 1776, was a great success in America and in Germany. Leutze began his first version of this subject in 1849. It was damaged in his studio by fire in 1850 and, although restored and acquired by the Bremen Kunsthalle, was again destroyed in a bombing raid in 1942. In 1853, M.

Grand Themes: Emanuel Leutze, "Washington Crossing the Delaware," and American History Painting (Penn State University Press; 2012) 240 pages; Argues that the painting was a touchstone for debates over history painting at a time of intense sectionalism. Hutton, Anne Hawkes (1975). Portrait of Patriotism: Washington Crossing the Delaware. Radnor, Pennsylvania: Chilton Book Company. New International Encyclopedia. Leutze Gallery at MuseumSyndicate.

Washington Crossing the Delaware is one of the most recognizable . Leutze painted two versions of this painting. This support our FREE BOOKS initiative

Washington Crossing the Delaware is one of the most recognizable images in the history of American art. You might be surprised, however, to learn that it was not painted by an American artist at work in the United States, but was instead completed by Emanuel Leutze, an artist born in Germany, and that it was painted in Düsseldorf during the middle of the nineteenth century. He began the first in 1849 immediately following the failure of Germany’s own revolution. This support our FREE BOOKS initiative. Help us offer art history to everyone!

Grand Themes : Emanuel Leutze, Washington Crossing the Delaware, and American History Painting.

Leutze, Washington Crossing the Delaware. Washington Crossing the Delaware is one of the most recoginizable images in the history of American art. Emanuel Leutze, Washington Crossing the Delaware, 1851, oil on canvas, 37. x 64. cm (Metropolitan Museum of Art).

Washington Crossing the Delaware is one of the most recoginizable images in the history of American ar. Leutze painted two versions of this painting

Washington Crossing the Delaware is one of the most recoginizable images in the history of American art. He began the first in 1849 immediately following the failure of Germany’s own revolution

First exhibited at the Stuyvesant Hall in New York in 1851, Emanuel Leutze’s Washington Crossing the Delaware captured the imagination of many Americans searching for national symbols in a time of sectionalism and disunity. Despite Leutze’s aspirations, the exhibition became an opportunity for critics of history painting to stake their positions. As suggested by the book’s title, Leutze’s epic painting is a touchstone in the evolution of American history painting. It represents a triumphant climax of the American adoption of the Grand Manner, inherited from eighteenth-century English painting, and portends its seemingly inevitable demise. From the painting’s gargantuan size, which fitted it only for a grand, public setting, to its focus on an already deified public hero, Leutze’s painting presumed a cultural as well as a political consensus—a consensus that proved illusory at best. Emanuel Leutze was arguably the most prominent American history painter of his time, and Jochen Wierich argues that Leutze’s work became the locus of contemporary debates surrounding the nature of history painting and its future.



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