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by Richard Stites

  • ISBN: 052136986X
  • Category: Other
  • Author: Richard Stites
  • Subcategory: Humanities
  • Other formats: azw mbr doc lit
  • Language: English
  • Publisher: Cambridge University Press (September 28, 1992)
  • Pages: 304 pages
  • FB2 size: 1246 kb
  • EPUB size: 1364 kb
  • Rating: 4.9
  • Votes: 798
Download Russian Popular Culture: Entertainment and Society since 1900 (Cambridge Russian Paperbacks) fb2

In his richly detailed survey of Russian popular culture since 1900, Richard Stites uses largely ignored sources . Stites writes with authority, verve, and humor. His book is required reading for anyone curious about Russia's cultural life in the twentieth century.

In his richly detailed survey of Russian popular culture since 1900, Richard Stites uses largely ignored sources-detective stories, science fiction, rock-n-roll lyrics, jokes and circus and vaudeville routines-to reveal a side of Russian life largely unknown in the West. Its great virtue, however, is to illuminate an important and largely unknown dimension of Russia's social history. Richard Stites savors the historian's calling as storyteller.

Russian Popular Culture book. Paperback, 304 pages. Published August 20th 1992 by Cambridge University Press (first published January 1st 1992). Start by marking Russian Popular Culture: Entertainment and Society Since 1900 as Want to Read: Want to Read savin. ant to Read. Russian Popular Culture: Entertainment and Society since 1900 (Cambridge Russian Paperbacks). 052136986X (ISBN13: 9780521369862). Mar 07, 2011 Mir rated it really liked it.

Stites, Richard, 1931-2010. Cambridge ; New York, NY, USA : Cambridge University Press. inlibrary; printdisabled; ; china.

Items related to Russian Popular Culture: Entertainment and Society. In his richly detailed survey of Russian popular culture since 1900, Richard Stites uses largely ignored sources-detective stories, science fiction, rock-n-roll lyrics, jokes and circus and vaudeville routines-to reveal a side of Russian life largely unknown in the West. Although the book is relatively short, it is a big book-big in ideas and in the extraordinary richness of the material.

Russian Popular Culture : Entertainment and Society Since 1900.

book by Richard Stites. This book presents a side of Russian life that is largely unknown to the West-the world of popular culture. Russian Popular Culture : Entertainment and Society Since 1900.

This book presents a side of Russian life that is largely unknown to the West - the world of popular culture. By surveying detective and science fiction, popular songs, jokes, box office movie hits, stage, radio and television, Professor Richard Stites introduces the people and cultural products that are household words to Russian people. Spanning the entire twentieth century, the author examines the subcultures that draw upon and enrich Russian popular culture.

Published online by Cambridge University Press: 26 July 2017. Export citation Request permission. Full text views reflects the number of PDF downloads, PDFs sent to Google Drive, Dropbox and Kindle and HTML full text views. Total number of HTML views: 0. Total number of PDF views: 0 .

This book presents a side of Russian life that is largely unkwn to the West - the world of popular culture

This book presents a side of Russian life that is largely unkwn to the West - the world of popular culture. Richard Stites pays particular attention to the dramatic battle between elite and popular culture and to the intervention of revolutions, wars, and the state in the production and control of this culture.

Book Format: Paperback. A side of Russian life largely unknown to the West-the world of popular culture-is presented by surveying detective and science fiction, popular songs, jokes, box office movie hits, the stage, radio and television. Cambridge Soviet Paperbacks. Cambridge University Press.

This book presents a side of Russian life that is largely unknown to the West--the world of popular culture. By surveying detective and science fiction, popular songs, jokes, box office movie hits, the stage, radio and television, Richard Stites introduces the people and cultural products that are household words to the Soviet people. He demonstrates how popular culture has over the past century had more impact on the lives of Russian people and reveals more about their lives than the works of giants of high culture. Richard Stites, Professor of History at Georgetown University, is the author of several books, including Revolutionary Dreams: Utopian Vision and Experimental Life in the Russian Revolution.
Reviews about Russian Popular Culture: Entertainment and Society since 1900 (Cambridge Russian Paperbacks) (6):
Xanzay
Absolutely terrific! I can't imagine making any claim to knowing anything about Russia without reading this book. Even if information presented here is, in some cases, arguably incorrect or inadequate, for an English-language overview of Russian Popular Culture touchstones, this is the best. Outstanding primer on Russian culture.
Great. Invaluable.
Eyalanev
In an otherwise detailed account, questions remain about what wasn't included, and the extent to which this material lived in "popular culture." One thinks, for example, of the film "Repentance," which, when Gorbaschev allowed its release, had the whole country walking around in a daze for months. And where do underground classics like "Master and Marguerita" sit? We're left with some ambiguity.
Kinashand
This was my textbook for a Russian History class, the class was taught exclusively through watching films and this book with little lecture if at all. Having said that this book was a bit dry -no personality, and wordy in parts, but did keep moving and covered many interesting topics.
Ka
Just what I was looking for and expected.
SlingFire
As advertised
Hanelynai
The book's story ends around 1990, when the Soviet Union collapsed. In that sense, even the last section reads as from another time. Largely, thus, the book is an account of Soviet propaganda. Describing the various media campaigns instituted by the Kremlin to mobilise public opinion. We see how in the desperate years of World War 2, that appeals to Rodina were used, as a traditional rallying point.

There is some account of independent cultural activities. Very little operating space was permitted for these by the authorities. Until the 80s and perestroika and glasnost arose.

Surprisingly, the index omits any mention of samizdat. Yet this was the hallmark of much dissident actions.

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