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Color changes and chemical reactivity in seventeenth-century oil paintings. The National Gallery, Sofia.

Rijksmuseum Amsterdam. Surface condition and chemical reactivity of paints, related to the technique and former treatments of The Tribute Money by Jacob Jordaens. Studying Old Master Paintings, London 16–18 September 2009, Book of Abstracts, 73–74. London: The National Gallery. Color changes and chemical reactivity in seventeenth-century oil paintings.

Color changes and chemical reactivity in seventeenth-century oil paintings. Mössbauer effect study of the oxidation of vivianite. Study of magnetite nanoparticles, as-prepared and dispersed in Copaiba oil as magnetic fluid, by means of magnetic measurement and Mössbauer spectroscopy at various temperatures demonstrated differences in the saturation magnetization and Mössbauer hyperfine parameters which were related to the interactions of Copaiba oil polar molecules with iron cations on magnetite nanoparticle’s surface.

In: Color changes and chemical reactivity in seventeenth-century oil paints. Thoury . Van Loon . Keune . Hermans . Réfrégiers . Berrie .

In: Color changes and chemical reactivity in seventeenth-century oil paints. PhD dissertation, University of Amsterdam, Molart series (14), AMOLF, Amsterdam. 2019) Photoluminescence Micro-imaging Sheds New Light on the Development of Metal Soaps in Oil Paintings. In: Casadio F. et al. (eds) Metal Soaps in Art. Cultural Heritage Science. Metal Soap Degradation of Oil Paintings: Aggregates, Increased Transparency and Efflorescence. P. Noble, J. J. Boon. AIC Paintings Specialty Group Postprints, 19:1–15.

van Loon A Color changes and chemical reactivity in seventeenth-century oil paintings PhD Thesis 2008 . van der Weerd J Microspectroscopic analysis of traditional oil paint, PhD Thesis, Amsterdam 2002.

Analytical Chemical Studies on Traditional Linseed Oil Paints. thesis, University of Amsterdam, Amsterdam

Analytical Chemical Studies on Traditional Linseed Oil Paints. thesis, University of Amsterdam, Amsterdam. van den Berg, J. D. K. van den Berg, and J. Chemical Changes in Curing and Ageing Oil Paints. White, . and A. Roy.

Katrien Keune,1,2, Annelies van Loon,1,3 and Jaap J. Boon1. In Colour Changes and Chemical Reactivity in Seventeenth-Century Oil Paintings

Katrien Keune,1,2, Annelies van Loon,1,3 and Jaap J. Lead white plays a crucial role in traditional oil paintings and is used as the principal white pigment because of its high hiding power and its role in the drying of oil binding media. In Colour Changes and Chemical Reactivity in Seventeenth-Century Oil Paintings. PhD Dissertation, University of Amsterdam, Molart Series ~14!, pp. 205–240.

12 van Loon, A. PhD thesis, University of Amsterdam, (2008). 13 Eibner, A. Malmaterialienkunde als Grundlage der Maltechnik. 121 (Verlag von Julius Springer, 1909)

12 van Loon, A. 121 (Verlag von Julius Springer, 1909). 14 Noble, . van Loon, A. & Boon, J. in ICOM Committee for Conservation 14th Triennnial Meeting. 496–503 (James and James). 15 Plater, M.

Sleeping Girl or Young Woman Sleeping is an oil on canvas painting by an unknown 17th century artist active in Rome, sometimes dated to . 620 and previously attributed to Theodoor van Loon or Domenico Fetti

Sleeping Girl or Young Woman Sleeping is an oil on canvas painting by an unknown 17th century artist active in Rome, sometimes dated to . 620 and previously attributed to Theodoor van Loon or Domenico Fetti. It is now in the Museum of Fine Arts, which acquired it from the Esterházy family collection. Its catalogue number is 609.