Download Two pipes, fourteen locations fb2
by Peter Downsbrough
Two pipes, fourteen locations, Peter Downsbrough.
Two pipes, fourteen locations, Peter Downsbrough. Peter Downsbrough -. Fecha: 1974. Tel. info:+ 34 93 481 33 68 (museum hours).
Two Pipes, Fourteen Locations book. Details (if other): Cancel.
Peter Downsbrough: The Book(s) Kung Moritz Неизвестно .
Peter Downsbrough: The Book(s) Kung Moritz Неизвестно 9783775728331 : Like his contemporaries Lawrence Weiner, Robert Barry and Sol LeWitt, American Conceptualist Peter Downsbrough (born 1940). Поставляется из: США Описание: Like his contemporaries Lawrence Weiner, Robert Barry and Sol LeWitt, American Conceptualist Peter Downsbrough (born 1940) combines a fondness for geometric art and typography with the possibilities of the artists book.
Peter Downsbrough has 8 works online. press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations).
Artists’ Book, Peter Downsbrough, 1974, Norman Fisher. Two Pipes, Fourteen Locations. by Peter Downsbrough. New York, NY, United States of America.
by Peter Downsbrough. Published 1974 by N. Fisher.
Peter Downsbrough, born in New Jersey in 1940, his works deals with the relationship between architecture, typography, and the spaces in between. He accomplishes this by employing multiple artistic mediums such as photography, sculpture and drawing over the course of his career. His oeuvre reflects his preoccupation with architecture and the complex relationship between the viewer and their perception of their surroundings in architectural spaces. Two Pipes, Random Wall Piece.
A Calais Regroup Downsbrough, Peter. And here, as Downsbrough, Peter. Notes on Location II Downsbrough, Peter. A Place - New York Downsbrough, Peter. And Now Downsbrough, Peter. As to Place, To Place As Downsbrough, Peter.
Trained as an architect, the conceptual sculptor and photographer Peter Downsbrough creates spatial interventions with a minimalist visual vocabulary of letters and lines. Using adhesive black letters to form words, and clothtape to form lines, Downsbrough applies them to walls, floors, and ceilings, playfully responding to existing architecture, reconfiguring spaces, and subverting the conventional logic of these linguistic elements.
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