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by Gertrud Koch,Volker Pantenburg,Simon Rothöhler

  • ISBN: 3901644393
  • Category: Humor
  • Author: Gertrud Koch,Volker Pantenburg,Simon Rothöhler
  • Subcategory: Movies
  • Other formats: rtf docx lrf azw
  • Language: English
  • Publisher: Austrian Film Museum (April 24, 2012)
  • Pages: 208 pages
  • FB2 size: 1156 kb
  • EPUB size: 1708 kb
  • Rating: 4.4
  • Votes: 665
Download Screen Dynamics: Mapping the Borders of Cinema (Austrian Film Museum Books) fb2

Screen Dynamics is a thorough and provocative survey of the fields with which the generations growing up with these technologies will engage.

Screen Dynamics is a thorough and provocative survey of the fields with which the generations growing up with these technologies will engage.

Such concerns include, but are not limited to: the relationship between cinema and other media and spaces (theatre, museum, art gallery, television, internet); the old and newly developed forms of spectatorship (in terms of of 30 viewing attention and distraction); and the challenges that the digital brings to film ontology and film aesthetics (in particular realism and indexicality).

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Due attention is given to questions of cinematic spectatorship, the issue of cinema’s specificity, the relationship between the cinematic image and other screen images, as well as the impact that new technologies have on these images

Faculties Humanities School of Arts Film.

Faculties Humanities School of Arts Film. Depositing User: Lavinia Brydon. uk/id/eprint/49167 (The current URI for this page, for reference purposes).

item 4 Screen Dynamics by Gertrud Koch, Volker Pantenburg, Simon Rothöhler -Screen Dynamics by. .Volker Pantenburg, Simon Rothohler, Gertrud Koch. Place of Publication. Film, TV & Radio. 208. Author Biography.

item 4 Screen Dynamics by Gertrud Koch, Volker Pantenburg, Simon Rothöhler -Screen Dynamics by Gertrud Koch, Volker Pantenburg, Simon Rothöhler.

Austrian Film Museum Books May 15, 2012. Expire tracking in. 1 week 1 month 3 months 6 months 12 months 3 years 5 years 10 years. You will get a notification at the top of the site as soon as the current price equals or falls below your price. You can also get an instant mobile notification with our iPhone- or Android app.

Teaching experimental film: On the practical and analytic treatment of avant-garde cinema, in: Film Education Journal, 1 (2), pp. 115–132.

Publisher Contents). Harun Farocki: Nachdruck, Imprint Texte, Writings. Teaching experimental film: On the practical and analytic treatment of avant-garde cinema, in: Film Education Journal, 1 (2), pp. 02 (co-authored with Stefanie Schlüter). Manual: Harun Farocki’s Instructional Work, in: What Ought to be Done? Work and Life, hg. von Kim Eunhee und Antje Ehmann, Seoul: National Museum of Modern and Con-temporary Art 2018, pp. 593–602. Now that’s Brecht at last! : Harun Farocki’s Observational Films, in: What Ought to be Done?

Gertrud Koch, Volker Pantenburg, Simon Rothöhler. From moving images on the Internet to giant IMAX displays: The number of screens in the public and private sphere has increased significantly during the last two decades

Gertrud Koch, Volker Pantenburg, Simon Rothöhler. From moving images on the Internet to giant IMAX displays: The number of screens in the public and private sphere has increased significantly during the last two decades. While this is often taken to indicate the & of cinema,& this volume attempts to reconsider the limits and specifics of film and the traditional movie theater.

This paper explores a line of inquiry situated at the intersections of cinema-as-event, film exhibition and storytelling. Specifically, it asks how can site-specific screenings contribute to th. More).

From moving images on the Internet to giant IMAX displays: The number of screens in the public and private sphere has increased significantly during the last two decades. While this is often taken to indicate the "death of cinema," this volume attempts to reconsider the limits and specifics of film and the traditional movie theater. It analyzes notions of spectatorship, the relationship between cinema and the "uncinematic," the contested place of installation art in the history of experimental cinema, and the characteristics of the high definition image. Further contributions discuss the ways in which cinema interacts with other arts and media such as theater and television. Contributors include Raymond Bellour, Victor Burgin, Vinzenz Hediger, Tom Gunning, Ute Holl, Ekkehard Knörer, Thomas Morsch, Jonathan Rosenbaum and the editors.

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