Download Primetime Blues: African Americans on Network Television fb2

A landmark study by the leading critic of African American film and television Primetime Blues is the first comprehensive history of African Americans on network television. Donald Bogle examines the stereotypes.

A landmark study by the leading critic of African American film and television Primetime Blues is the first comprehensive history of African Americans on network television.

Donald Bogle is an American film historian and author of six books concerning blacks in film and on television. He is an instructor at New York University's Tisch School of the Arts and at the University of Pennsylvania. Bogle grew up in a suburb of Philadelphia and graduated from Lincoln University in 1966. As a child, he spent a lot of time watching television and going to the movies. He wondered why there were very few black characters.

Primetime Blues is the first comprehensive history of African Americans on network television. Donald Bogle examines the stereotypes, which too often continue to march across the screen today, but also shows the ways in which television has been invigorated by extraordinary black performers, whose presence on the screen has been of great significance to the African American community. Bogle's exhaustive study moves from the postwar era of Beulah and Amos 'n' Andy to the politically restless sixties reflected in I Spy and an edgy, ultra-hip program like Mod Squad

Primetime Blues book. Goodreads helps you keep track of books you want to read. Start by marking Primetime Blues: African Americans on Network Television as Want to Read: Want to Read savin. ant to Read.

Primetime Blues book. A landmark study by the leading critic of African American film and.

As Donald Bogle points out in his new book, Primetime Blues: African Americans on Network Television, the Benny program showcased wonderful, nervy work by Eddie Rochester Anderson, who played Benny’s wily valet. There was nothing servile or submissive about, Bogle writes. Cocky and confident, always resourceful and witty, Rochester seemed his own man and usually behaved as if he were the boss in the Jack Benny household; an idea that the scriptwriters played with time and again

Scholar Donald Bogle adds another exceptional book to his works about African-Americans in film and television. Bogle's critique is unsurprisingly sharp. What makes Primetime Blues extraordinary is his shameless approach to the medium.

Scholar Donald Bogle adds another exceptional book to his works about African-Americans in film and television. Unlike other critics who bemoan television, Bogle admits his enjoyment of it with no apology.

African Americans on Network Television. Things soon changed abruptly: by 1951 there were over 16 million televisions, advertising costs had soared, and corporations competed to sponsor popular shows. The author notes that early shows like Beulah and Amos ’n’ Andy still celebrated such racial stereotypes as saucy maids and irresponsible males.

Prime Time Blues is the first comprehensive history of African Americans on the network series. Bogle also reveals another equally important aspect of TV history: namely, that television has been invigorated by extraordinary Black performers - from Ethel Waters and Eddie "Rochester" Anderson to Cicely Tyson, Flip Wilson, Redd Foxx and those mighty power brokers Cosby and Oprah - who frequently use the medium to make personal and cultural statements and whose presence on the tube. has been of enormous significance to the African American community.