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by Jill Bialosky

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FREE shipping on qualifying offers. Jill Bialosky follows her acclaimed debut collection, The End of Desire, with this powerful sequence of poems that probes the subterranean depths of eros. Gerald Stern has called Bialosky the poet of the secret garden.
Jill Bialosky follows her acclaimed debut collection, The End of Desire, with this powerful sequence of poems that probes the subterranean depths of eros
Jill Bialosky follows her acclaimed debut collection, The End of Desire, with this powerful sequence of poems that probes the subterranean depths of eros. Gerald Stern has called Bialosky the poet of the secret garden, the place, at once, of grace and sadness, and here she enters that garden again, blending the classical with the contemporary in bold considerations of desire, fertility, virginity, and childbirth.
Jill Bialosky follows her acclaimed debut collection, The End of Desire, with this powerful sequence of poems that probes the subterranean depths of eros.
Jill Bialosky’s second book of poems, SUBTERRANEAN, is an advance in psychic depth and expressive eloquence beyond her distinguished THE END OF DESIRE. Her new work fully establishes her voice: poignant, perilous, overwhelmingly aware of the extent to which our lives, inner and outer, are deflected by contingency, and by drives of love and death that govern u.
She is the author of four volumes of poetry, three novels, and two recent memoirs. Gerald Stern has called Bialosky "the poet of the secret garden, the place, at once, of grace and sadness," and here she enters that garden again, blending the classical with the contemporary in bold considerations of desire, fertility, virginity, and childbirth.
Jill Bialosky's second book of poems, Subterranean, is an advance in psychic depth and expressive eloquence beyond her distinguished The End of Desire. The lovely understatement that informs her great subject of death and resurrection ultimately gives rise to a grandeur as conversational as it is profound. I treasure Subterranean for its rigor and poignancy, its reticence and integrity. I can think of few books as true or free of posturing.
Reading this book was like finding a lost album of childhood photographs.
Simpson, Leslie Stein, Clifford Thompson, David Ulin, Chris Ware. Reading this book was like finding a lost album of childhood photographs.