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by Coppélia Kahn
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Roman Shakespeare: Warriors, Wounds, and Women is a 1997 book by Coppélia Kahn that reads Shakespearean texts from a gendered perspective, focusing on the construction of masculine identity in Roman ideology
Roman Shakespeare: Warriors, Wounds, and Women is a 1997 book by Coppélia Kahn that reads Shakespearean texts from a gendered perspective, focusing on the construction of masculine identity in Roman ideology. It is part of the Feminist Readings of Shakespeare series.
Roman Shakespeare book. In the first full-length study of Shakespeare's Roman plays, CoppElia Kahn brings to these texts a startling, critical perspective which interrogates the gender ideologies lurking behind 'Roman virtue'.
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In the first full-length study of Shakespeare's Roman plays, Coppélia Kahn brings to these texts a startling, critical perspective which interrogates the gender ideologies lurking behind 'Roman virtue'.
Roman Shakespeare belongs to the series Feminist Readings of Shakespeare, in which each book in the . Renaissance Quarterly, vol. 52, no. 1, 1999, pp. 265-68.
Roman Shakespeare belongs to the series Feminist Readings of Shakespeare, in which each book in the series engages with current topics and debates within feminist criticism as it examines a particular genre of Shakespeare’s works (tragedies, histories, et. Plays featured include: Titus Andronicus Julius Caesar Antony and Cleopatra Coriolanus Cymbeline Setting the Roman works in the dual context of the popular theatre and Renaissance humanism, the author identifies new sources which she analyzes from a historicised feminist perspective.
Home Browse Books Book details, Roman Shakespeare: Warriors, Wounds, and Women. Roman Shakespeare: Warriors, Wounds, and Women. In the first full-length study of Shakespeare's Roman plays, Coppeacute;lia Kahn brings to these texts a startling, critical perspective which interrogates the gender ideologies lurking behind 'Roman virtue'. Plays featured include: Titus Andronicus Julius Caesar Antony and Cleopatra Coriolanus Cymbeline Setting the Roman works in the dual context of the popular theatre and Renaissance humanism, the author identifies new sources which she analyzes from a historicized feminist perspective.
In the first full-length study of Shakespeare's Roman plays, Coppélia Kahn brings to these texts a startling, critical perspective which interrogates the gender.