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by David Castronovo

  • ISBN: 0826416268
  • Category: Fiction
  • Author: David Castronovo
  • Subcategory: History & Criticism
  • Other formats: doc docx mobi mbr
  • Language: English
  • Publisher: Bloomsbury Academic (September 1, 2004)
  • Pages: 208 pages
  • FB2 size: 1112 kb
  • EPUB size: 1596 kb
  • Rating: 4.1
  • Votes: 193
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Professor Castronovo contends in his marvelous book Beyond the Gray Flannel Suit subtitled Books from . Would Americans agree that American modernism stalled after the 1920s and 1930s? And those of us who are not American: how do we view the authors and books discussed?

Professor Castronovo contends in his marvelous book Beyond the Gray Flannel Suit subtitled Books from the 1950’s that Made American Culture that the fifties were a lot more than the contemporary perception. By God, he’s right on. –www. com, 3/14/05 (About Warren Adler: Mr. Adler is the world famous author of 27 novels including The War of the Roses and Random Hearts, as well as short story collections such as The Sunset Gang). Would Americans agree that American modernism stalled after the 1920s and 1930s? And those of us who are not American: how do we view the authors and books discussed?

Goodreads helps you keep track of books you want to read. This examination and celebration of the literature and thought of the 1950s throws the enduring works of a golden era into high relief.

Goodreads helps you keep track of books you want to read. Start by marking Beyond the Gray Flannel Suit: Books from the 1950s that Made American Culture as Want to Read: Want to Read savin. ant to Read. An unconventional tour of a crucial period in 20th-century culture, the present book avoids sweeping surveys and gets to the heart of major achievement.

Book DescriptionWriters of the 1920s, such as Hemingway and Fitzerald, have been heralded as The Lost Generation .

Book DescriptionWriters of the 1920s, such as Hemingway and Fitzerald, have been heralded as The Lost Generation, and an earlier generation formed The American Renaissance. By examining a carefully selected range of books and authors, Castronovo helps us understand the true significance of the remarkable literary explosion that took place between the late 1940s and the JFK years. Here are Saul Bellow, Ralph Ellison, Bernard Malamud, and Flannery O'Connor "breaking through.

Flannel Suit : Books from the 1950s That Made American Culture

Beyond the Gray Flannel Suit : Books from the 1950s That Made American Culture. After the great renaissance of the 1920s and early 1930s, American modernism seemed to be stalled, to be awaiting another burst of talent.

American Culture in the 1950s Martin Halliwell Önizleme Yok - 2007. David Castronovo was the acclaimed author of Edmund Wilson, Beyond the Gray Flannel Suit, Critic in Love, The English Gentleman and many others. American Culture in the 1950s Martin Halliwell Önizleme Yok - 2007. Yazar hakkında (2004). Beyond the Gray Flannel Suit: Books from the 1950s that Made American Culture.

Beyond the Gray Flannel Suit: Books from the 1950s That Made American Culture. 1032 RUR. Microsoft Digital Image Suite 10: The No Nonsense Guide!

Beyond the Gray Flannel Suit: Books from the 1950s That Made American Culture. Microsoft Digital Image Suite 10: The No Nonsense Guide! (No Nonsense Guide! series). 2348 RUR. The Three–Piece Suit & Modern Masculinity – England 1550–1850. 3286 RUR. Microsoft® Works Suite 99 For Dummies®. David C. Kay. 1786 RUR. An American version of the Psalms of David. Suited to the state of the church in the present age of the world.

The thesis of David Castronovo’s catchily titled book is simple, nostalgic and designed not to frighten the reader. The 1950s, he argues, made contemporary American culture

The thesis of David Castronovo’s catchily titled book is simple, nostalgic and designed not to frighten the reader. What he offers is a back to the future take on post-war American writing. The 1950s, he argues, made contemporary American culture. More specifically, the literary 1950s is a third flowering of American talent. Its flowers are our fruit

This examination and celebration of the literature and thought of the 1950s throws the enduring works of a golden .

This examination and celebration of the literature and thought of the 1950s throws the enduring works of a golden era into high relief.

In the 1950s, Latin America was the center of covert and overt conflict . The strong sexual taboos of mass culture were also reflected in literature, with.

In the 1950s, Latin America was the center of covert and overt conflict between the Soviet Union and the United States. Their varying collusion with national, populist, and elitist interests destabilized the region. Dr. Fredric Wertham's book Seduction of the Innocent rallied opposition to violence, gore, and sex in comics, arguing that it was harmful to the children who made up a large segment of the comic book audience. The Senate Subcommittee on Juvenile Delinquency hearings in April and June 1954, focused specifically on graphic crime and horror comic books.

In Beyond the Gray Flannel Suit, a study of American literature in the 1950’s, David Castronovo, a professor of English at. .Castronovo makes it clear at the beginning that his book is not merely a survey of 1950’s writers.

In Beyond the Gray Flannel Suit, a study of American literature in the 1950’s, David Castronovo, a professor of English at Pace University in New York City, demonstrates once again that he is one of our most graceful cultural critics. He writes with an easy confidence that makes his journey to the heart of the 50’s both enlightening and engaging. Some notable figures of that periodRobert Lowell and William Burroughs, to name only twomake no appreciable appearance in the work.

This examination and celebration of the literature and thought of the 1950s throws the enduring works of a golden era into high relief. An unconventional tour of a crucial period in 20th-century culture, the present book avoids sweeping surveys and gets to the heart of major achievement.After the great renaissance of the 1920s and early 1930s, American modernism seemed to be stalled, to be awaiting another burst of talent. The post-World War II period provided that new energy and genius, with book after book that broke through the ordinary realistic atmosphere of bestseller lists, and offered experimentation, arresting content, and transformation of old literary forms. In short, from the late 1940s through the JFK years, America was the home office of literary innovation. Writers forged new styles with the rapidly changing times, and generated new ideas that fit the challenges of late modernity.Beyond the Gray Flannel Suit shows how particular landmark books took on the hot-button subjects of the 1950s—race and religious difference; social class and the suburbs; the youth culture; rebellion, conformity, and groupthink; the telling conflicts over taste and judgment—and how, in the process, whether we realize it or not, this body of super-charged literature shaped today's American culture.
Reviews about Beyond the Gray Flannel Suit: Books from the 1950s that Made American Culture (3):
Shezokha
Beyond the Gray Flannel Suit is my favorite work on non-fiction. Simply the best guide for studying the culture of the 1950s and its lessons that are still relevant for today.
Black_Hawk_Down
I picked up this book on a whim, struggled through the introduction, and then became caught in David Castronovo's choices and assessments of books. `This book is about the remarkable literary explosion that took place between the late 1940s and the Kennedy years. It looks closely at the landmark works that are breakthroughs in American literature.'
Would Americans agree that the 1950s was a particularly creative period, and the basis of the modern American spirit? Would Americans agree that American modernism stalled after the 1920s and 1930s? And those of us who are not American: how do we view the authors and books discussed?

The works discussed include Ralph Ellison (Invisible Man); Saul Bellow (The Adventures of Augie March), Bernard Malamud (The Magic Barrow); Flannery O'Connor (A Good Man is Hard to Find) in a discussion about moving American literature beyond the borders of naturalism. The novels involved in a discussion about the consciousness of youth include J D Salinger (The Catcher in the Rye); Jack Kerouac (On the Road) and Allen Ginsburg (Howl). My favourite part of the book was the discussion around thrillers, which included Cornell Woolrich (I Married a Dead Man); Jim Thompson (The Killer Inside Me); Patricia Highsmith (The Talented Mr Ripley) and David Goodis (Down There). I've not read the books included in David Castronovo's discussion about rebellion and the situation of outsiders: Nelson Algren (The Man With the Golden Arm) and Norman Mailer (Advertisements for Myself) but I am tempted.

The further I read into this book, the more interested I became. I am familiar with Vladimir Nabokov's `Lolita' but not with either Dawn Powell's `The Golden Spur' or Randall Jarrell's `Pictures from an Institution'. I am tempted, too, to read Philip Roth's `Goodbye, Columbus' and John Cheever's `The Housebreaker of Shady Hill', along with some other books discussed by David Castronovo.

I don't know enough about 20th century American culture before the 1960s, when it became particularly influential in Australian culture, to appreciate all of the points David Castronovo makes. But it isn't necessary to accept each of these points in order to appreciate that the post-World War II literature has its own energy and to want to read (or reread) the books discussed.

Jennifer Cameron-Smith
Shadowredeemer
It's so nice when a scholar who can write well surveys an area of popular culture that hasn't already been analyzed to death. What David Castronovo does here is give postwar American literature the same sort of critical analysis that we are more used to seeing in books about film or drama. His casts his net wide and brings in a wide and disparate bunch, and sifts them for common themes and anxieties. You get the big familiar leviathans from Hemingway and Salinger, Nabokov and Flannery O'Connor, along with the second-tier "serious" writers of the 1950s; and you also get pop names and bestellers from the era (such as the one refered to in the title). But most remarkable is a central chapter called "Angst, Inc." This covers the period's most emblematic type of fiction--that dark, pulpy stuff (Jim Thompson, Cornell Woolrich, Patricia Highsmith) which all seemed so ephemeral at the time but which later got enshrined as "noir"-ish classics. And with good reason. As Castronovo shows, this low-cult fiction, with their themes of obsessive fear and temptation, was just a purer, franker form of the same thing that the high-cult writers of the time were doing. Thus, Lolita (which Castronovo considers shortly afterwards) was basically just a glossier, more professorial version of Jim Thompson.

The book is deceptively small. It's concentrated and rich, like an exceptionally good book-review periodical. I couldn't wait to get through it, so I could go reread (or explore for the first time) the books under discussion.

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