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by Eric Warner,Graham Hough

  • ISBN: 0521282918
  • Category: Fiction
  • Author: Eric Warner,Graham Hough
  • Subcategory: History & Criticism
  • Other formats: azw txt rtf mobi
  • Language: English
  • Publisher: Cambridge University Press (April 29, 1983)
  • Pages: 324 pages
  • FB2 size: 1578 kb
  • EPUB size: 1513 kb
  • Rating: 4.2
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Download Strangeness and Beauty: Volume 2, Pater to Symons: An Anthology of Aesthetic Criticism 1840-1910 fb2

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Bibliographic Details. Publisher: Cambridge University Press. Publication Date: 1983. Book Condition: Near Fine. 25,000+ items on line. In business since 1987. Payment Methods accepted by seller. Bookseller: Bookseller: T. A. Borden Books Address: Olney, MD, . AbeBooks Bookseller Since: October 20, 1998.

Aesthetics - Criticism and interpretation, Arts Aesthetics 1840-1910 Critical studies. Cambridge : Cambridge University Press. inlibrary; printdisabled;. Kahle/Austin Foundation. Warner, Eric; Hough, Graham, 1908-.

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Strangeness and beauty : an anthology of aesthetic criticism, 1840-1910. Cambridge ; New York : Cambridge University Press. Australian/Harvard Citation.

Eric Warner, Graham Hough. This is a two-volume anthology of criticism of art and literature from approximately 1840 to 1910

Eric Warner, Graham Hough. This is a two-volume anthology of criticism of art and literature from approximately 1840 to 1910. The central purpose of the anthology is to show how Romantic ideas of art and imagination were transformed by a number of writers in the nineteenth century and became the fundamental premisses of modernist aesthetics. The presiding genius of volume 2 is Pater, who was much influenced by Ruskin's belief in refining and educating the senses as a path to spiritual fulfilment.

This is a two-volume anthology of criticism of art and literature from approximately 1840 to 1910. Volume 1 begins with the development of the Romantic idea of the artist-critic as preacher in the work of Ruskin, whose aim was very much that of this Romantic forebears, Blake and Wordsworth: to awaken humanity to a greater spiritual perception.

Warner, Eric, and Graham Hough (Ed., Strangeness and Beauty: An Anthology of Aesthetic Criticism 1840–1910, 2 Vols (Cambridge: Cambridge University Press, 1983). West, Sally, Coleridge and Shelley: Textual Engagement (Aldershot: Ashgate, 2007). Westbrook, Robert . John Dewey and American Democracy (Ithica and London: Cornell University Press, 1991). Cite this chapter as: Aherne P. (2018) The Power of Criticism: Poetry, Aestheticism, and Literary Criticism. In: The Coleridge Legacy. Palgrave Macmillan, Cham.

v. 1. Ruskin to Swinburne - v. 2. Pater to Arthur Symons. 0521238951 (v. 1) : 052123896X (v. 2) : 052128290X (pbk. : v. 1) : 0521282918 (pbk. 2)

This is a two-volume anthology of criticism of art and literature from approximately 1840 to 1910. The central purpose of the anthology is to show how Romantic ideas of art and imagination were transformed by a number of writers in the nineteenth century and became the fundamental premisses of modernist aesthetics. The presiding genius of volume 2 is Pater, who was much influenced by Ruskin's belief in refining and educating the senses as a path to spiritual fulfilment. However, whereas Ruskin saw this education as a means of enriching the moral and religious life conceived in fundamentally orthodox terms, Pater regards religion as a supreme aesthetic experience with no particular connections either with morality or with any bourgeois virtues. Those who came under Pater's influence envinced disdain for the social order and its accepted values; this new tone is evident in the work of George Moore, Whistler and Wilde, all represented in this volume. The final author in this anthology, Arthur Symons, forms one of the principal links between nineteenth- and twentieth-century poetics, for it was his introduction of the French Symbolists to England, which was to give such a powerful impulse to the innovations of Eliot and Pound.

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