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by Paul Skinner (Ed.),Paul Skinner

  • ISBN: 9042022485
  • Category: Fiction
  • Author: Paul Skinner (Ed.),Paul Skinner
  • Subcategory: History & Criticism
  • Other formats: mbr lrf lrf mbr
  • Language: English
  • Publisher: Editons Rodopi (August 2, 2007)
  • Pages: 271 pages
  • FB2 size: 1183 kb
  • EPUB size: 1768 kb
  • Rating: 4.3
  • Votes: 996
Download Ford Madox Ford's Literary Contacts. (IFMFS 6) (International Ford Madox Ford Studies) fb2

Start by marking Ford Madox Ford's Literary Contacts. The controversial British writer Ford Madox Ford (1873-1939) is increasingly recognized as a major presence in early twentieth-century literature

Start by marking Ford Madox Ford's Literary Contacts. Ifmfs 6) (International Ford Madox Ford Studies) as Want to Read: Want to Read savin. ant to Read. The controversial British writer Ford Madox Ford (1873-1939) is increasingly recognized as a major presence in early twentieth-century literature. This series of International Ford Madox Ford Studies was founded to reflect the recent resurgence of interest in him.

Ford Madox Ford's Literary Contacts. IFMFS 6) (International Ford Madox Ford Studies). Paul Skinner (E. Category: Образование.

In creating his acclaimed masterpiece Parade's End, Ford Madox Ford wanted the Novelist in fact to appear in his really proud position as historian of his own time. The 'subject' was the world as it culminated in the war. Published in four parts betw. by Ford Madox Ford · Joseph Conrad.

This series of International Ford Madox Ford Studies was founded to reflect the .

This series of International Ford Madox Ford Studies was founded to reflect the recent resurgence of interest in hi. But it also explores contacts with literary texts.

Also by Ford Madox Ford. Ford changed his surname from Hueffer in 1919 after serving in the British army in France during the First World War. After 1927 Ford lived in the United States and France. He died in Deauville on 26 June 1939. Also by Ford Madox Ford.

Ford is now remembered for his novels The Good Soldier (1915), the Parade's End tetralogy (1924–28) and The Fifth Queen trilogy (1906–08).

The book series, International Ford Madox Ford Studies . Each will relate aspects of Ford’s work, life, and contacts, to broader concerns of his time

The book series, International Ford Madox Ford Studies, has been founded to reflect the recent resurgence of interest in Ford’s life and work. Each volume will normally be based upon a particular theme or issue. Each will relate aspects of Ford’s work, life, and contacts, to broader concerns of his time. The series is published in association with the Ford Madox Ford Society. The series published an average of one volume per year over the last 5 years.

The controversial British writer Ford Madox Ford (1873-1939) is increasingly recognized as a major presence in. .

The controversial British writer Ford Madox Ford (1873-1939) is increasingly recognized as a major presence in early twentieth-century literature. He is best-known for his fiction, especially The Good Soldier, long considered a modernist masterpiece; and Parade’s End, which Anthony Burgess described as ‘the finest novel about the First World War’; and Samuel Hynes has called ‘the greatest war novel ever written by an Englishman’. The book series, International Ford Madox Ford Studies, has been founded to reflect the recent resurgence of interest in Ford’s life and work

The controversial British writer Ford Madox Ford (1873-1939) is increasingly recognized as a major presence in early twentieth-century literature. This series of International Ford Madox Ford Studies was founded to reflect the recent resurgence of interest in him. Each volume is based upon a particular theme or issue; and relates aspects of Ford's work, life, and contacts, to broader concerns of his time. The present book is part of a large-scale reassessment of his roles in literary history. Ford is best-known for his fiction, especially The Good Soldier, long considered a modernist masterpiece; and Parade's End, which Anthony Burgess described as 'the finest novel about the First World War'; and Samuel Hynes has called 'the greatest war novel ever written by an Englishman'. But he was a prolific writer in many different modes, which include criticism of others' writing, and reminiscences of the many writers he had known. One of the most striking features of his career is his close involvement with so many of the major international literary groupings of his time. In the South-East of England at the fin-de-siècle, he collaborated for a decade with Joseph Conrad, and befriended Henry James, and H. G. Wells. In Edwardian London he founded the English Review, publishing these writers alongside his new discoveries, Ezra Pound, D. H. Lawrence, and Wyndham Lewis. After the war he moved to France, founding the transatlantic review in Paris, taking on Hemingway as a sub-editor, discovering another generation of Modernists such as Jean Rhys and Basil Bunting, and publishing them alongside Joyce and Gertrude Stein. He spent more time in America from the later 1920s, spending time with Southern Agrarians, and poets such as William Carlos Williams, Charles Olson, and Robert Lowell. He was always a tireless promoter of younger writers, reading manuscripts and recommending them to publishers. This book takes Ford's 'literary contacts' to include such creative friendships, editorial involvements, and influential biographical encounters; and they form the most substantial, central section on 'Contemporaries and Confrères', covering figures like Proust, Carlos Williams, Rebecca West, Herbert Read, and Hemingway. But it also explores contacts with literary texts. The first section on 'Predecessors' considers the impact of Ford's reading of Trollope, George Eliot, and Turgenev. The final section discusses 'Successors': writers such as Graham Greene, Burgess, and A. S. Byatt, whose literary contacts with Ford have been as his admiring readers and eloquent critics. Ford has been described as 'a writer's writer'. This volume reveals how true that has been, and in how many ways, as it sheds new light on his relationships with other writers, both familiar and surprising. It includes two pieces published here for the first time: one by Ford himself, on Turgenev; the other a memoir about Ford by his contemporary, Marie Belloc Lowndes (the sister of Hilaire Belloc).

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