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by Modean Moon

  • ISBN: 193416996X
  • Category: Fiction
  • Author: Modean Moon
  • Subcategory: Genre Fiction
  • Other formats: lit lrf doc rtf
  • Language: English
  • Publisher: Norilana Books (September 1, 2007)
  • Pages: 344 pages
  • FB2 size: 1802 kb
  • EPUB size: 1758 kb
  • Rating: 4.9
  • Votes: 193
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Modern Ruin is Covenant's seventh studio album. It was released on 17 January 2011 in Europe by Synthetic Symphony, SPV and on 8 February 2011 in North America by Metropolis Records. The second disc features various versions of "Wir Sind Die Nacht", a song the band recorded for the film of the same name. Lightbringer" was the album's first EP/single, released 22 October 2010. It is a collaboration with Swedish EBM group Necro Facility.

The Covenant was published in 1995, and won the Romance Writers of American Rita award for best Paranormal Romance.

Lesen Sie Rezensionen und informieren Sie sich über beteiligte Personen. Vervollständigen Sie Ihre Covenant-Sammlung. English Deutsch Español Français Italiano 日本語 한국어 Português (Brasil) Русский. Master-Release bearbeiten. Covenant ‎– Modern Ruin.

New Moon is the continuation of Stephenie Meyer's surprisingly great introduction novel Twilight. This novel functions admirably enough as a standalone. The book New Moon is continually going to be c. .ntrasted with Twilight and individuals who are anticipating that this novel should be basically the same as Twilight may be baffled. Nightfall had a practically fantastic, tall tale quality to the written work, which this story needs. The Cullen group of vampires are additionally truant from a substantial extent of New Moon, and vampire fans might definitely feel their.

1995) A novel by Modean Moon. Awards Rita Awards Best Novel. After witnessing her husband's brutal murder, Megan retreats to a tiny Oklahoma village where she hopes to rebuild her life. This story mingles past and present, ghosts and the wounded living, in a compelling drama of danger and love and, ultimately, the triumph of the human spirit. Genre: Paranormal Romance. Used availability for Modean Moon's The Covenant.

The book has a Tolkien like quality without copying any of Tolkien's stuff which is enjoyable in spite of Thomas .

The book has a Tolkien like quality without copying any of Tolkien's stuff which is enjoyable in spite of Thomas Covenant's weird anti-hero persona. The book is very well written although occasionally Donaldson uses unnecessarily obscure words, for example "demesne" instead of domain, where they do not enhance the meaning or flavor of the story. Despite the fact that Thomas Covenant is by far the most annoying protagonist I've encountered in decades of reading I did enjoy Lord Foul's Bane

After witnessing her husband's brutal murder, Megan retreats to a tiny Oklahoma village where she hopes to rebuild her life. But now it is not just her own memories that haunt her: Ghosts and memories of the people who dwelt on the same land in the 1800s complicate her emotional recovery. And real life isn't much fun either, with the local police knocking down her door in the dead of night....

First published by Harper Monogram in 1995, THE COVENANT is a Romantic Times Reviewers Choice Award nominee, RWA Rita winner, and Holt Medallion finalist. This story mingles past and present, ghosts and the wounded living, in a compelling drama of danger and love and, ultimately, the triumph of the human spirit.


Reviews about The Covenant (3):
Shem
_The Covenant_ was published in 1995, and won the Romance Writers of American Rita award for best Paranormal Romance. I enjoyed it quite a bit. Besides the romance element, there is a contemporary suspense story, and a link with an historical story. The various strands of the story are well integrated, with the romance arising naturally as part of the story, rather than driving the story, and with the resolution of the book being more closely tied to the characters' solving their personal problems than to the culmination of their romance.
The plot involves Megan McIntyre Hudson, a recently widowed daughter of a U. S. Senator. She has returned to rural Pitchlyn County, Oklahoma, to occupy a house her husband had owned, and to come to terms with her reactions to his death and the death of his sister, and to her own mistreatment, in a South American country they had been visiting for political reasons. Her emotions are complex, because her marriage was mostly a sham, and because her father has betrayed her in his politically-motivated response to the atrocities she witnessed in South America, and because she is only now coming to terms with a lonely emotional life. Unbeknownst to her, her onetime brother-in-law, the estranged husband of her husband's now dead sister, lives in a neighboring house. This man, Jake Kenyon, is a former DEA agent, then local sheriff, who has considerable issues with the current law enforcement officials of Pitchlyn County.
One night Jake hears signs of a struggle at Megan's house, and bursts in to rescue her from an illegal search conducted by the thuggish local sheriff. Thus Jake and Megan, who don't know each other despite being almost in-laws, are thrown together. Soon they find themselves, against their will, forced to try to figure out why people seem to be prowling about their two properties, and why the local police seem to be unduly interested as well.
At the same time, Megan, perhaps as a result of her psychiatrist's urging her to record her thoughts, begins to seemingly "channel" a young woman who lived in Pitchlyn County in the 1870s. Lydia was a white woman in the then Choctaw Nation, in love with a half-Choctaw ex-Ranger named Sam Hooker. Sam has angered an outlaw gang who then kidnap Lydia and rape her serially for several days until Sam can rescue her. This horrifying event scars her permanently, essentially ruining her relationship with Sam, which is already harmed by her hypocritical father's refusal to countenance her marriage to an Indian. Over time, Megan learns more and more of Lydia's story, and the half-parallels between her story and Megan's own story illuminate the contemporary plotline without being a slavish repetition.
The novel works itself out with a solid and suspenseful resolution to the story of Jake and Megan, as they fall in love, and also figure out the mysterious doings on their property, which turn out to have connections to both Jake's past and Megan's past, and perhaps even to the story of Sam and Lydia. The latter story is nicely revealed as well, and is effectively emotionally wrenching. The backdrop of the Oklahoma landscape is also well-evoked. The characters are convincing, and the love story is believable. This is a good example of what a "romance novel" really should be, in my opinion: a good novel on its own that has a solid romance story as a significant thread, as opposed to a contrived romance that drives the plot willy nilly (which I've seen too often elsewhere). Definitely worthy of reprinting.
Felhann
Two sets of lovers intersect at the same location in the rugged rural corner of Arkansas where it meets Oklahoma and Texas, in what was once the Choctaw Nation. Both couples are overloaded with troublesome baggage--emotional and physical--as they are hunted by villains who are searching for cocaine and treasure. The treasure is a payroll of gold captured in a train robbery more than a century ago. One couple lives in the present, the other in 1872. As this complex, sprawling novel plays out, Megan McIntyre Hudson, today's heroine, meets Jake Kenyon. Megan's husband Peter and Jake's wife Helen are brother and sister, and while on a charitable mission to South American, were both murdered in front of Megan. She returns to the States, and the house that Helen has bequeathed to her, to recuperate far away from the intrusive media and flash bulbs of Washington, where her father is one of the senators from Oklahoma.
Jake is on leave from the DEA, recuperating from wounds suffered in a drug-bust gone wrong. His house is just up the secluded roadway from that of his sister; both occupy land where the tumultuous events of 1872 have left their happy spirits.
Although Megan sees and hears Lydia Tanner and Sam Hooker, as well as Liddie's brother Peter, Jake hears only Sam's thoughts, which at first he thinks are only his own longings for Megan. The two stories eerily parallel each other, with their damaged heroines, and unlikely heroes. This is not an easy book to get into, but for the reader who persists, the rewards are more than fulfilling.
(Note: This book was awarded the RITA [from the Romance Writers of America] for best Paranormal Book in 1996.)
Datrim
I read an excerpt at the Baen website, and had to read it. Like another reviewer writes, the book contains a love story, but that is not the whole point of the book. The romance is part of the larger story being told. I enjoyed it immensely, and highly recommend it. Now, if I could only go for a walk in those woods, and sit by that stream under the trees ... the setting is beautifully rendered, and several of the secondary characters are as memorable as the principals.

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